Code5866
AI Helicopter Video Prompt
Guide
This prompt turns a normal video into a luxury scene with a helicopter and a crowd with red roses waiting for you. The example in the video was made with it.
How to use it
- Open Google Flow (link above), choose the Gemini Omni Flash 1.1 model and add your own video.
- Paste the prompt below.
- If you want, change the clothes, the watch, the helicopter and the crowd in points 1-4.
Make it fit your video
- Point 2 follows the wrist moves in our video. If you don't show your wrists, delete it.
- "The blue Intersport building" in point 3 is a building in our parking lot. Describe where the helicopter should stand in your own video.
Edit this video. Do not change the man: same face, same body, same movements. Do not change the location, the background, the camera or the lighting.
Only these changes:
1. His clothes: a camel cashmere overcoat over a cream turtleneck, dark tailored trousers, brown leather loafers.
2. Two different pieces of jewelry, one on each wrist. On the first wrist he raises to the camera, the one he holds with his other hand: a gold Rolex. On the second wrist he raises, as a closed fist close to the camera: a gold chain bracelet, no watch. Each piece sits under the coat sleeve and is revealed when that wrist is raised. Only one watch in the whole video. His hands and fingers stay exactly as in the original.
3. A black luxury helicopter is parked on the asphalt directly in front of the blue Intersport building on the left side of the parking lot, far behind the man, rotor blades still. This is what he points at. Nothing is parked near the helicopter.
4. A group of about 12 beautiful young women stand in a loose group far behind the man in the middle of the parking lot, dressed for a winter gala: long elegant wool coats in black, camel and cream, some with fur collars, high heels, styled hair, each holding a bouquet of red roses. They all look at him and wait for him. They stand still, far from the helicopter, and never come close to the camera.
The helicopter and the women are part of the physical scene, fixed to one spot on the ground exactly like the buildings and the lamp posts. They never slide, drift or shift. When the camera pans, they move across the frame only together with the background, at the same speed as the buildings behind them. Realistic size, shadows matching the man's lighting, in place from the first frame. Everything else stays exactly the same. Photorealistic.
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